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Town-planning order and
territory
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Chignolo d'isola is placed in the heart of the Island, of
which it vaguely imitates the form of a triangle with the tip
downwards. In 1928 Chignolo was unified to Madone and got the
name of Centrisola just to underline the central place among
the River Adda, the River Brembo and Mount Canto.
In a clockwise direction Chignolo borders on Terno, Bonate
Sopra, Bonate Sotto, Madone, Bottanuco, Suisio and Medolago. |
Although the territory is placed in a plain, it also offers small
hollows and rivers and seems to be laid down on a wide terrace.
The rivers crossing the territory are the Dordo, the Grandone, the
Buliga and the Bulighetto.
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The village of Chignolo lies decentralised if compared with
the great traffic lines which, especially in old times, led
from ports on the River Brembo near Bergamo to the ports on
the River Adda in Capriate and in Villa d'Adda. |
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Nevertheless, just because of its central position, the
territory was crossed by a thick net of secondary roads which
connected the different villages of the island. The present
road system largely imitates the old one, with irregular and
winding lines even of main roads. |
The
Roncalli Palace
The Roncalli Palace - Residence of the nobility with U-plan.
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"the palace of deliciousness of the above praised noble
family….shows how once upon a time this village was fortified
with a castle as fashion"
So did Giovanni Maironi write at the beginning of the
nineteenth century, when the earls Roncalli, noble family
coming from Roncaglia of Cepino in Val Imagna, carried out a
fundamental modification of the building risen on the basis of
an old castle already existing in the 12 century. |
Since then, the palace had had to appear as a austere building, all
closed around a courtyard and partially surrounded by gardens.
Adjoining was an oratory dedicated to St. Peter of Alcatara.
The rooms were richly decorated to celebrate the family pomp with
some of the most beautiful frescos in the Bergamask territory.
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During the XVIII and XIX century the Roncalli family had the
palace restored which was in most part demolished, and only
the southern side was kept.
The western side wasn't rebuilt in order that from the central
body you could overlook the whole Bedesco.
To the Chignolo Palace all those buildings were adjoined
which were necessary to manage a large property, from the
wine-press to the spinning-mill, from the drying-room for
cereals to a large farm with spacious barns placed between the
palace and the old parish Church, at the slope limits. |
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Even today you can admire some rooms painted in frescos and recently
restored, with works, among others, of Giovan Battista Botticchio,
one of the most important representatives of the painting school in
Crema of 1600.
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Chignolo d'Isola boasts four churches in hits history which
have accompanied the religious life of population throughout
the centuries.
In one report written on occasion of the pastoral Visit of the
Bishop of Bergamo in 1535, St. Mary's Church is described as
placed "in the centre of the built-up area and of sufficient
width for the population". Nevertheless St. Mary's was not the
Parish Church. The actual parish Church was St. Peter's in
Campis, a small building standing on a field called St.
Peter's in Campis till now (today the cemetery). |
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As time passed, this Church was increasingly abandoned by people,
who used it only now and then for the celebration of St. Peter's
feast.
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Even St. Mary's was later on replaced by the Sanctuary (of
which it occupied the current consecrated ground) after about
two centuries since it couldn't contain the population any
longer which counted 250 inhabitants in 1535 and about twice
in 1700.
In 1746 St. Mary's was demolished and its choir transformed
into the Horatory of St. Rocco, later on called of the
Addolorata (part of the building against the belfry. |
The Sanctuary, which in the meantime had become parish Church, was
embellished and adorned thanks to people's generosity: worth
mentioning the Serassi's organ, the vestments, the decoration of
"forty-eight hours" and the pictures.
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But the population was growing and the church was becoming too
small.
So they decided to build a new building. In 1870 the project
was approved and 15 years later the "new Church" was ended in
its general structure. It was definitely opened to worship in
1886 |
From an architectural point of view, the style of the two peripheral
fountains in Chignolo is a light and elegant baroque; therefore they
could date back to the second half of 18th century. It is thought
that the fountains were required by the noble family of Roncalli in
order to provide their people with water and public slop sink.
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Such fountains were planned not only for domestic uses and
irrigation purposes, but also for washing, as proved by their
geometric form.
The fountains are made of "botticino" marble, which is very
similar to the calcareous one from Zandobbio from which it
differs because of the presence of fossils. |
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The fountain of Roncalli street has got two bathtubs, one parallel
to the other, and with the front modelled by inferior and superior
volutes turned towards the smaller bathtub.
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In the fountain of XXV April street the two bathtubs are, on
the contrary, opposite with the main panel in the middle,
modelled as concentric circles and turned towards the smaller
bathtub.
The vertical panel is the geometric and ornamental element
which distinguishes the two fountains and it is ornate on both
sides even if the main front has got more relief. Both
bathtubs of the two fountains communicate by means of some
linking holes. |
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